![]() Congestive cardiomyopathy in association with the acquired immunodeficiency syndrome. Journal of Acquired Immune Deficiency Syndromes. ![]() HIV and noncommunicable cardiovascular and pulmonary diseases in low-and middle-income countries in the art era: what we know and best directions for future research. Geneva, Switzerland: UNAIDS 2014.īloomfield G. Fast-Track-Ending the AIDS Epidemic by 2030. Clear diagnostic and treatment guidelines for HIVAC are currently lacking but should be prioritized given the global burden of HIVAC. In low and middle income countries, however, HIVAC is the most common HIV-associated cardiovascular disease. The initiation of ART has dramatically changed the clinical manifestation of HIVAC in high income countries from one of severe, left ventricular systolic dysfunction to a pattern of subclinical cardiac dysfunction characterized by abnormal diastolic function and strain. Myocarditis from direct HIV toxicity, opportunistic infections, and nutritional deficiencies are implicated in causing HIVAC when HIV viral replication is unchecked, whereas cardiac autoimmunity, chronic inflammation, and ART cardiotoxicity contribute to HIVAC in individuals with suppressed viral loads. Causes and clinical manifestations of HIVAC depend on the degree of host immunosuppression. HIV-associated cardiomyopathy (HIVAC) is a stage IV, HIV-defining illness and remains a significant cause of morbidity and mortality among HIV-infected individuals despite ART. As a result, the clinical sequelae of HIV infection are changing as patients live longer. As such, it furnishes specific historical examples of an on-going and far-reaching dialogue between two worlds.Antiretroviral therapy (ART) has transformed the clinical profile of human immunodeficiency virus (HIV) from an acute infection with a high mortality into a treatable, chronic disease. Far from being encyclopaedic, the exhibition leaves more out than in. Briefly, the exhibition posits historical Latin American art not as a footnote to the North’s artistic discourses but as totally innovative and complex central practices that shed light on the history of art when it stops being programmatic and springs from a vital need to respond to specific contexts from viewpoints that go beyond all isms and take their force from the power of individual artists, voices and gestures. By incorporating a Southern perspective on a canonical collection of European and American art that focuses on the 19s, the exhibition sets out to demonstrate the importance of practices developed on Latin American soil over a large part of the twentieth century, as well as their historical and contemporary relevance. ‘ A Tale of Two Worlds proposes a turn in European and North American discourses on Latin American art. In twenty-nine critical essays written from various viewpoints by specialists, writers and artists across three continents, this major publication complements and expands on the exhibition’s thesis and core themes, which addressed the complex relations of dialogue, contradiction, resonance and difference between the avant-gardes of Latin America, Europe and the United States over the course of the twentieth century. This book was published to mark the exhibition, A Tale of Two Worlds: Experimental Art in Dialogue with the MMK Collection, 1944–1989, presented at the Museo de Arte Moderno de Buenos Aires from 12 July to 14 October 2018. Translations: Lance Anderson, Ian Barnett, Kit Maude, Victoria Patience, Judith Rosenthal, Daniel Tunnard (English), Elfi Cagala, Herwig Engelmann, Katharina Freisinger, Dirk Höfer, Ea-Raphaela Jaksch, Claudia Kotte, Frank Süßdorf (German), Julia Benseñor, Jorge Fondebrider, Virginia Higa, Carla Imbrogno, Vera von Kreutzbruck, Rodrigo Molina-Zavalía (Spanish) Graphic Design: Buero noc berlin, Sarah Nöllenheidt, Miriam Busch, Judith Gärtner Qualina, Ana María Reyes, Silvano Santiago, Dirk Snauwaert, Katrin Thomschke and Javier Villa Harper Montgomery, Victoria Noorthoorn, Bernardo Ortiz, Marcelo E. Santiago García Navarro, Klaus Görner, Mario Kramer, Tobi Maier, Abaseh Mirvali, Luis Camnitzer, Mauricio Corbalán, Martin Engler, Carlos Gamerro, María Amalia García, Texts: Alejandra Aguado, Gonzalo Aguilar, Luca Massimo Barbero, Marcos Cabobianco, Trilingual edition Spanish-German-English ![]() Experimental Latin American art in dialogue with the MMK collection, 1944-1989
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